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The genesis of classical drama was not symptomatic. Aneuphoria of charismatic and talented
protagonists showed fantastic scenes of historic episodes. The prologue, the theme and the
epilogue, comprised the trilogy of drama while synthesis, analysis and synopsis characterized
the phraseology of the text. The syntax and phraseology used by scholars, academicians and
philosophers in their rhetoric, had many grammatical idioms and idiosyncrasies.
The protagonists periodically used pseudonyms. Anonymity was a syndrome that characterized
the theatrical atmosphere. The panoramic fantasy, the mystique, the melody, the aesthetics,
the use of the cosmetic epithets are characteristics of drama. Eventhrough the theaters were
physically gigantic, there was noneed for microphones because the architecture and the acoustics
would echo isometrically and crystal - clear. Many epistomologists of physics, aerodynamics,
acoustics, electronics, electromagnetics can not analyze - explain the ideal and isometric
acoustics of Hellenic theaters even today.
There were many categories of drama: classical drama, melodrama, satiric, epic, comedy, etc.
The syndrome of xenophobia or dyslexia was overcome by the pathos of the actors who practiced
methodically and emphatically. Acrobatics were also euphoric. There was a plethora of anecdotal
themes, with which the acrobats would electrify the ecstatic audience with scenes from mythical
and historical episodes.
Some theatric episodes were characterized as scandalous and blasphemous. Pornography, bigamy,
hemophilia, nymphomania, polyandry, polygamy and heterosexuality were dramatized in a pedagogical
way so the mysticism about them would not cause phobia or anathema or taken as anomaly but
through logic, dialogue and analysis skepticism and the pathetic or cryptic mystery behind them
would be dispelled.
It is historically and chronologically proven that theater emphasized pedagogy, idealism and
harmony. Paradoxically it also energized patriotism a phenomenon that symbolized ethnically
character and phenomenal heroism.
Acknowledgements: A special thank you from Omogenia Internet to Dr. John Kalaras for writing such
an article. Thank you also to the National Hellenic for the initial publishing and Mr. Theofanides
from the Bank of Cyprus for the research.
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Συγκίνηση προκάλεσε η ομιλία του καθηγητή Oρθοπεδικής κ. Παναγιώτη Σουκάκου, στην εναρκτήρια τελετή
του 5ου Πανευρωπαϊκού Συνεδρίου Oρθοπεδικής που γίνεται στη Pόδο. Παρουσία 6.000 ορθοπεδικών από 64
χώρες του κόσμου, ο κ. Σουκάκος μίλησε στα αγγλικά, χρησιμοποιώντας ωστόσο πλήθος ιατρικών όρων και
λέξεων ελληνικής προέλευσης, με αποτέλεσμα ακόμη και ο πλέον αδαής περί την αγγλική γλώσσα να είναι
σε θέση να καταλάβει το σύνολο της ομιλίας του καθηγητή.Tο "Eθνος" παραθέτει το πλήρες κείμενο της
ομιλίας:
The Hellenic orthopaedic physicians have synchronized their dynamism and energy with the European
Organization of Orthopaedics and Traumatology, to generate this symbiotic and not ephemeral synthesis
of charismatic, academic scholars, and are enthusiastic with the atmosphere of euphoria and analogous
ecstasy in Dodecanisa, Rodos.
Rodos is a graphic Hellenic metropolitan center in the Aegean archipelagos, with myriads of archaeological
and historical sites. Rodos is a geographical paradise of cryptic and chimerical icons of idyllic charm,
amalgamated with Hellenic gastronomy of mousaka, souvlaki, ouzo emporia and euphoria of the rhyme and
rhythm of bouzouki, Byzantine and Spanoudakis music.
A plethora of basic and didactic themes in the sphere of orthopaedics and traumatology, such as trauma of
the musculoskeletal system, arthroscopic and arthroplasty surgery, pediatric orthopaedics, poly-trauma,
podiatric surgery, carpus and dactylic surgery with traumatic and genetic anomalies, microsurgery,
spondylopathies like scoliosis, kyphosis and spondylolisthesis, osteoporosis and pharmacologic and
prophylactic therapeutic policies with be emphasized.
Diagnostic methods and etiological therapy of traumatic, non - physiological and pathological syndromes,
therapeutic schemes and strategies, will be analyzed and synthesized at this academic symposium on the
basis of a democratic climate and with the scope of a non-dogmatic and egocentric dialogue, which I
prophesize will be an historic phenomenon and paradigm of dynamic synergy and harmony between polyethnic
orthopaedic physicians of the European Epirus.
To paraphrase, with the phobia and dilemma of being tautological, let me emphasize that the logistics and
machinations in this academic symposium, will generate the scheme and type of our harmonic synergy and
syndesmosis.
Pragmatically, it is my thesis and not hypothesis that the next phase and programmed orthopaedic symposium
in Helsinki, which I eulogize, will be as dynamic and with colossal kyros, as in Rodos, Hellas.
I apologize for my eulogistic demagogy and if my etymological glossary is based on philosophic or symbolic
metaphors and lexical hyperbole, please sympathize with me and I apologize for the idiosyncrasy of a zealous
Hellenic, practicing orthopaedic physician who is also fanatically enthusiastic about the giant anode of
European propaedutics and academics in orthopaedics and traumatology.
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